‘Andor’ Star Says Israel is ‘Gaslighting’ Us

Star Wars and Political Commentary 00:00

"Star Wars has always had political commentary."

• The influence of political narratives in Star Wars can be traced back to its creator, George Lucas, who likened the rebels to the Viet Cong during the Vietnam War. This connection illustrates how fiction often reflects real-world conflicts and ideologies.

• The discussion touches upon the gradual rise of fascism, emphasizing that such changes do not occur suddenly but are often the result of insidious societal shifts.

Advocacy and Responsibility 00:38

"We have a responsibility and not just for them, for us. We are losing our humanity and our governments are doing nothing."

• The speaker shares their recent experience in the occupied West Bank, highlighting the struggles of Palestinians living under oppressive conditions.

• Anecdotes reveal how everyday life is impacted—residents face severe restrictions on their freedom, such as limited access to basic utilities and constant threat from military authorities. This illustrates the dire circumstances many individuals face and serves as a call to action for global awareness and responsibility.

Casting Insights and Personal Experiences 01:18

"Tony Gilroy saw me in a play where I played a drug addict who had to get clean and sober and he thought she'd make a great fascist."

• The speaker recounts how they were cast in Andor by Tony Gilroy after he observed their performance in a theatrical production. This unexpected casting route shows how talent can be recognized in various settings beyond traditional auditions.

• The character they portray, Dedra Miro, is described as one of the most compelling fascists portrayed on screen, highlighting the character's complexity and depth.

The Nature of Evil in Art 06:10

"I find those people fascinating."

• Reflecting on their role, the speaker discusses their fascination with historical figures who embody evil, indicating a deeper understanding of the motivations and contexts that drive such characters.

• They also reveal that, even from a young age, they had an acute awareness of global conflicts, giving them a unique perspective on the intricacies of portraying a character like Dedra Miro in the context of a broader narrative about power and oppression.

Emmy Award Recognition 07:46

"Andor is proper TV. It’s the first Star Wars TV show to ever win an Emmy."

• The conversation shifts to the recognition of Andor within the television landscape, as it has garnered an Emmy for its quality, showcasing the significance of the show's narrative and production.

• This accolade serves as both a benchmark for future Star Wars projects and a reminder of the relevance of its themes, particularly in relation to contemporary social and political issues.

The Impact and Resonance of "Andor" 08:50

"The storytelling, the writing is everything for me."

• The actress expresses her passion for great writing, emphasizing how significant storytelling is in her craft. She draws parallels to her experience with Tony Kushner's "Angels in America," highlighting that "great writing resonates across time," making it timeless and impactful.

"It's awful that it's so mirroring reality."

• She reflects on how the show captures the current state of the world, mentioning that the writers created the show's content prior to significant global events, such as the October 7th incident. This emphasizes the unsettling nature of reality reflecting art.

Fascism and Bureaucracy in "Andor" 13:40

"This is how fascism happens. It doesn't happen overnight."

• The discussion highlights how "Andor" illustrates the gradual rise of fascism, explaining that it doesn't appear abruptly but rather emerges through mundane office politics and bureaucratic environments. This insightful commentary connects the show’s narrative to real-life historical patterns of authoritarianism.

"Be careful who you get behind, just because they're women."

• The dialogue underscores a crucial point regarding the complexity of political figures, especially emphasizing that support for female leaders does not guarantee progressive actions, linking it back to contemporary political realities.

The Disconnect Between Art and Reality 16:30

"There's a weird disconnect between what we're willing to embrace on screen in art and then in our daily lives."

• The actress discusses the contrast in societal reactions to powerful messages conveyed through art versus those expressed in real-life scenarios. This underscores a troubling cognitive dissonance, where audiences can engage with fictional narratives while remaining silent about pressing real-world issues.

"I can use those skills right now to make people feel things about actual people."

• She asserts that her talents in acting and storytelling can be redirected towards raising awareness about real-world injustices, suggesting that artistic expressions should inspire action and empathy in actual societal contexts.

The Reception of "Andor" and Its Significance 17:40

"You cannot watch the Gorman massacre without reflecting on contemporary issues."

• The conversation touches on the profound implications of the Gorman massacre depicted in the series. It highlights how the scenes compel viewers to confront current events and challenges in the world, making the show not just an entertainment piece but a commentary on ongoing societal struggles.

• This notion reinforces that "Andor" serves as a mirror, reflecting the complexities of the human experience and the dire political landscapes faced both in fiction and in reality, illustrating the show's significance in today's context.

Historical Parallels to Genocide 17:47

"Open a history book, pick any genocide. The parallels are insane."

• The discussion centers around the intense historical parallels drawn between the treatment of indigenous people and the ongoing conflict in Gaza, indicating a pattern of violence and suppression historically seen in genocides.

• There's an acknowledgment that these unsettling similarities in history are not only disturbing but also indicative of broader societal issues, as represented by references to recent media portrayals that evoke these themes.

• The speaker emphasizes that awareness surrounding this topic is not sufficient, as evidenced by the comparison to a recent Superman movie which sparked controversy due to its depiction of conflict, leading Israeli viewers to resonate with the 'villains' in the film.

Personal Connection and Awareness of Occupation 19:51

"We lived under occupation for hundreds of years."

• The speaker reflects on their background, drawing connections between Irish history and the current situation in Palestine. Through personal experiences and recent travels to the West Bank, they express a newfound understanding of oppression and occupation.

• This journey of awareness was catalyzed by a recognition of historical struggles, finding similarities with their own heritage and experiences that taught them about resilience.

• The impact of witnessing refugee camps and speaking with individuals who have faced occupation has been profound, illuminating the depths of human experience tied to such events.

The Journey of Advocacy and Engagement 20:40

"I started learning then."

• The speaker recounts their early engagement with the Palestinian issue while working on a film about a British photographer. This initial exposure led to a personal awakening regarding the complexities of the situation.

• They reflect on past ignorance due to a focus on their own life challenges at that time, noting a significant evolution in their understanding after pivotal events such as October 7th.

• Their commitment to learn more about the nuances of the situation intensified following a surge in media coverage, prompting them to explore varied perspectives, including those from within the Palestinian community.

The Role of Media and Censorship in Advocacy 24:41

"There's censorship in Hollywood on this issue."

• Acknowledging the challenges faced in discussing sensitive topics like the Gaza conflict, the speaker reflects on the fear of backlash and artistic censorship in the entertainment industry.

• They articulate how their outspoken nature has sometimes placed them at odds with industry norms, suggesting that while they have faced pushback, they remain unyielding in their beliefs and advocacy.

• There is a sense of urgency conveyed in the speaker’s words, particularly when discussing how the media distracts from ongoing humanitarian issues, highlighting the importance of continuing to engage these topics openly despite potential consequences.

Conversations About Character and Ethos 26:43

"I would be having different conversations, I'm sure."

• The speaker reflects on their experience working on a show about Palestine, indicating that the conversations about the subject matter could shift significantly based on new knowledge and awareness.

• They emphasize that their understanding was informed by personal experiences and historical contexts, such as the upbringing in the Nazi youth, which shapes their perspectives and roles in storytelling.

• Despite initial worries about being censored, the speaker expresses confidence in their ability to discuss sensitive topics like Palestine, with encouragement from their new agent to remain true to themselves for the sake of their future.

The Difference Between a Gang and a Tribe 27:26

"To join a gang, you have to hurt yourself."

• The speaker distinguishes between harmful affiliations—the "gang" that demands personal suffering and loyalty without genuine care—and a "tribe" that fosters community and conscience without constant threats.

• They mention that since becoming vocal about these issues, they've connected with a supportive community of like-minded individuals, enhancing their own sense of safety and purpose.

• The reflections highlight their belief that authentic expression is essential for personal well-being and can lead to greater creative opportunities.

Learning and Traveling to Palestine 29:03

"The intention of this mission was to come and see, then go and tell."

• The speaker discusses their trip to the West Bank, motivated by a desire to learn and advocate effectively for Palestinian rights through engagement with organizations like Macan.

• They recount the emotional weight of being in Palestine, indicating it changed their perspective and deepened their connection to the experiences of Palestinian people.

• By participating in this delegation, the speaker felt the importance of sharing these stories, noting awareness around the restrictions faced by Palestinians compared to their own privileged experiences.

Experienced Struggles in Hebron 31:10

"You can feel how the shops used to be open and people."

• The speaker describes their experiences witnessing the changes in Hebron, where once-bustling areas now appear desolate and controlled due to occupation.

• Accounts of encounters with Palestinians, such as activists and farmers, reveal the daily struggles they face under oppressive conditions, including direct harassment and loss of their rights to their homes and lands.

• The imagery of "cages" around houses signifies the entrapment and sense of danger that permeate their lives, culminating in a call for awareness about the ongoing oppression in the region.

Fragmentation and Human Rights Violations 33:52

"The most depraved thing is how they fragment the families."

• The speaker highlights the disturbing strategies used to fragment Palestinian communities and families, with specific examples of children being arrested in front of their parents to instill fear and break bonds.

• They share personal narratives gathered from Palestinians, depicting how imprisonment and violence affect young lives and the trauma that persists across generations.

• The overall message underscores the dire humanitarian cost of occupation and the urgent need for recognition and action against these injustices.

The Concept of Gaslighting in Relationships 36:34

"The gaslighting is basically... we're all much more aware now of narcissistic relationships and narcissistic abuse and coercive control."

• The speaker compares the situation faced by Palestinians to a gaslighting relationship, where a powerful entity manipulates perceptions and realities.

• There is a deep awareness of the dynamics of coercive control and how they can resemble societal and political interactions, reflecting on the impact of a narcissistic political figure.

Experience in the West Bank and its Impact 37:20

"Having gone there, I'm not gaslighting myself anymore because that's a really dangerous thing."

• Visiting the West Bank has led the speaker to reaffirm their understanding of the Palestinian experience, highlighting the urgency to recognize the experiences of those affected by occupation.

• The speaker expresses frustration at the desire to create a false equivalence between the occupiers and the occupied, contrasting this with other global struggles like Ukraine.

Views on Resistance and International Perspectives 38:59

"If Palestinians resist violently, which is their right under international law... the act of resistance is totally illegitimate when it comes to Palestine."

• The speaker points out the double standards in how resistance is perceived in different contexts, emphasizing that while violent resistance might be valid legally, it is often dismissed in Palestinian situations.

• The conversation recognizes a broader understanding of occupation and dissent across global conflicts, underscoring the importance of human rights perspectives.

The Normalization of Injustice 41:47

"What happened to him in there... it's not normal what's happening to... Husam Abu Shafi."

• The speaker reflects on the regularity of injustice faced by Palestinians, expressing disbelief over the normalization of their suffering and the violence they endure.

• This acknowledgment of deep-rooted issues emphasizes the mental toll and historical context surrounding these conflicts, likening current events to significant historical moments like Tiananmen Square.

A Sense of Hope Amidst Despair 42:50

"If your heart is broken right now... that's a sign that you are human."

• The speaker draws on insights from discussions around moral injury, suggesting that a deeply felt emotional response to injustice is indicative of humanity.

• They acknowledge growing solidarity and activism across the globe, arguing that while those in power may not act adequately, there is a substantial and compassionate response from the community, signaling a potential shift.

Upcoming Projects and Future Endeavors 43:58

"I'm going to do a play and... I'm playing a Quaker who’s deeply soft and kind."

• The speaker shares their upcoming theatrical roles, indicating a desire to portray softer characters to contrast their usual angry demeanor.

• They also mention participating in film projects, showcasing a blend of personal and professional aspirations that reflect their commitment to storytelling through varied character representations.

Discussion on Television Restrictions in Different Households 45:25

"Catholicism got to do with Australian soap operas? They wore short skirts."

• The conversation highlights the contrasting views on television programming between different religious backgrounds. A participant discusses how their Catholic upbringing resulted in a ban on certain Australian soap operas like "Knots Landing" and "Home and Away" due to perceived inappropriate content, particularly regarding the attire of the characters.

• Another speaker shares their experiences growing up in a Muslim household, mentioning that while some scenes were controversial, the approach was more about looking away than outright censorship. This reflects the varying cultural norms concerning media consumption based on religious beliefs.

Closing Remarks and Call to Action 45:46

"Go to zateo.com, subscribe right now so you can get episodes of We're Not Kidding as soon as they drop."

• The video concludes with a call to action, encouraging viewers to subscribe to their website for timely access to new episodes of their show. It emphasizes community engagement by urging audiences to like and subscribe to the podcast, fostering a connection with the audience.

• The hosts identify themselves one last time, reinforcing their presence and brand in the digital space. This segment highlights the growing need for digital content support and encourages viewers to partake in independent journalism by visiting their website.