Video Summary

Best Looking Cars: Could The 1963 Studebaker Sceptre Have Saved Studebaker from Extinction?

Rare Classic Cars & Automotive History

Main takeaways
01

Studebaker struggled financially in the 1950s and merged with Packard in 1954, leaving the company vulnerable by the early 1960s.

02

Brooks Stevens designed the 1962/1963 Sceptre as a personal-luxury coupe response to Raymond Loewy’s Avanti and the booming four-place Thunderbird market.

03

Distinctive styling included extremely thin A-pillars, a translucent C-pillar that creates a floating roof effect, wall-to-wall tail and head lamps, and an 'electric razor' style grille.

04

The Sceptre prototype was hand-built in Italy at a cost of about $16,000 (roughly $140,000 today), making production costly for a cash-strapped company.

05

Shown at Eyes On Design with trim variations, the Sceptre impressed visually but, as a low-volume niche car, likely could not have rescued Studebaker’s finances.

Key moments
Questions answered

Could the 1963 Studebaker Sceptre have saved Studebaker from extinction?

Unlikely — the video argues Studebaker was too far gone financially and the Sceptre was a costly, low-volume luxury coupe that wouldn’t return the company to profitability.

Who designed the Sceptre and why was it created?

Brooks Stevens designed the Sceptre to prove his design leadership after Raymond Loewy’s Avanti and to capitalize on the popular personal-luxury coupe market.

What are the Sceptre’s most distinctive styling features?

Extremely thin A-pillars, a translucent C-pillar producing a floating roof effect, wall-to-wall head/taillights, a tubular side profile and an electric razor–style grille.

How much did the Sceptre prototype cost and where was it built?

The hand-built prototype was made in Italy for about $16,000 at the time—roughly $140,000 in today’s dollars—making production expensive.

What market trend inspired the Sceptre’s concept?

The four-place 1958 Ford Thunderbird launched the personal-luxury coupe craze that the Sceptre sought to enter and rival other upscale coupes.

Where was the Sceptre publicly shown and what was demonstrated there?

It was displayed at the Eyes On Design show with different trim and wheel options to gauge public preference and showcase design variations.

Studebaker's Financial Struggles and Merger 00:05

"By the early 1950s, Studebaker was having significant financial difficulties, leading to its merger with Packard in 1954 to form the Studebaker-Packard Corporation."

  • Studebaker faced severe financial challenges by the early 1950s, prompting a merger with Packard in 1954.

  • This merger of two financially troubled companies was akin to "two broke individuals getting wed together," ultimately resulting in further trouble for Studebaker.

  • Despite the difficulties, Studebaker produced notable models in the 1950s and 1960s that introduced innovative styling trends.

"The 1953 Studebaker Starliner coupe helped transition the auto industry from tall and narrow cars to a longer, lower, wider theme."

  • The 1953 Studebaker Starliner coupe played a pivotal role in redefining automotive aesthetics by introducing a lower and wider profile.

  • This model featured a longer wheelbase than sedans to enhance its graceful proportions, along with low cowl and hood designs that necessitated engineering adjustments for component fit.

  • Studebaker's innovative designs during this era not only set trends for the brand but also influenced the broader industry, showcasing the beauty and evolution of car design.

The 1962 Avanti's Impact 01:49

"The 1962 Avanti featured Coke bottle styling, a design trend that many car manufacturers emulated in later decades."

  • The 1962 Avanti, designed by Raymond Loewy and Associates, introduced significant styling elements, most notably its "Coke bottle" shape that influenced future vehicle designs.

  • Brooks Stevens, the chief designer for Studebaker at the time, aimed to showcase his design capabilities in response to the acclaim of the Avanti.

  • Stevens sought to create a personal luxury coupe that would rival the Avanti, in light of changing market demands and consumer preferences.

Birth of the 1962/1963 Studebaker Scepter 04:25

"The 1962/1963 Studebaker Scepter was crafted as a personal luxury coupe to capitalize on the market trend started by the 1958 four-place Thunderbird."

  • Aiming to prove his design prowess, Brooks Stevens created the Studebaker Scepter as a response to the lucrative market for personal luxury coupes, inspired by the success of the 1958 Thunderbird.

  • The Scepter featured various distinct design elements, including a headlamp arrangement beneath an intricate grille that echoed the electric razor styling popular in the early 1960s.

  • The absence of a traditional hood ornament and thoughtful placement of badges contributed to a clean design aesthetic while accentuating the vehicle’s width.

Unique Design Features of the Scepter 06:11

"The Scepter’s design includes thin A-pillars and a translucent C-pillar, giving it a floating roof appearance."

  • The Scepter showcased innovative architectural features, including extremely thin A-pillars and a translucent C-pillar, resulting in an airy, modern appearance.

  • The side profile of the car highlighted a tubular body structure, complemented by a strategic lighter strip at the waistline that enhanced its sleek look.

  • The rear view of the Scepter mirrored its front, with wall-to-wall tail lights contributing to an overall sense of width and a seamless surface design that distinguished it from competitors.

Presentation and Variations of the Scepter 08:35

"The Scepter was displayed at the Eyes On Design car show with variations in trim proposals to gauge public preference."

  • The Scepter was showcased at the Eyes On Design car show in Grosse Pointe, Michigan, alongside other notable vehicles, including the Packard Predictor.

  • At the car show, various trim and wheel cover options were presented on either side of the vehicle to allow potential buyers to visualize different aesthetics.

  • The design choices during the presentation aimed to refine the Scepter's appeal while emphasizing its stylish qualities that would resonate with the target market.

Unique Design Features of the 1963 Studebaker Sceptre 09:53

"Look at that beautiful roofline and sail panel, just a very light roof that has a slight arc to it."

  • The 1963 Studebaker Sceptre features distinctive design elements, including a striking roofline that arcs gently downward towards the rear. This elegant form contributes to the car's overall beauty.

  • A notable feature is the translucent C-pillar, an element that stands out for its uniqueness in automotive design.

  • The car was hand-built in Italy as a prototype, with production costs reaching approximately $16,000, equivalent to around $140,000 today.

Interior Features and Styling 12:15

"I think the interior is almost as cool as the exterior."

  • The interior of the Sceptre is described as sophisticated and thoughtfully designed, with details such as floating gauge pods and a driver-centric center console.

  • The Polo mallet logo, which appears in various parts of the car, including the steering wheel and seat trims, reinforces the vehicle's branding and luxury feel.

  • The presence of a stylish, canted center console contributes to the car's modern aesthetic, demonstrating the design elements that may have influenced future Chrysler vehicles.

Market Viability and Historical Context 13:31

"I don't think this car would have helped save Studebaker. It was too far gone by this point in time."

  • Despite its stunning design and features, the Sceptre was a last-ditch effort to revitalize the Studebaker brand, which was already struggling in the automotive market.

  • The designer, Brooks Stevens, aimed to create a compelling luxury coupe, but he recognized the limitations of producing low-volume vehicles, which were insufficient to return the company to profitability.

  • While the Sceptre was an impressive concept, it likely would not have altered the course of Studebaker's fate, indicating a time of decline in the company's operations.